THE BUILT ENVIRONMENT

After spending almost two decades in large architectural firms, I've developed a keen understanding of the eye-catching angles of the built environment that draw the interest of the viewer. My business name comes directly from the lines and light I use to draw focus on to the unique elements that make your design exciting and interesting. I endeavor to provide you with imagery that gives you an outstanding and invaluable marketing asset within your budget.

MY APPROACH

Its like a Dance

Dance is a universal form of expression that can convey emotions, culture, history, and creativity through movement and rhythm.

Over the years I have noticed the correlation between photographing the built environment and various dancing styles. Almost all of my AEC client’s needs fall into three distinct categories. Some are more budget driven while other’s attention is focused on creating an immersive experience. However, most clients prefer an equal measure of each. I discuss their nuances and differences below.

Interpretative Dance

(Less Than 1.5 Hours)

This option includes little to no direction from my clients. I am provided no more than an address, date and time to photograph the project. I walk in blindly and compose views on the fly as I move through the spaces. These types of photos are typically reserved for documentation only and will have minimal staging. This is the most cost-effective way to commission architectural photography.

Two Step

(Between 2-4 Hours)

For projects and clients that require more attention to detail, the Two Step is the most popular option. After receiving a set of plans or shot list, I provide an estimate prior to scheduling the shoot. On the day of the shoot, a representative, typically someone who worked on the project, will accompany me. Together, we collaborate on how to best highlight the unique features as well as minimize any distractions.

Line Dance

(More Than 2 Hours)

Reserved for large scale and high-end projects requiring more feet on the dance floor. We use the same technique as the Two Step, however, we take additional steps. Extensive decluttering, supplemental staging and lighting considerations are taken into account. Models and additional entourage can also be employed to occupy a larger volume. Often these projects are shot at multiple times in a given day or over several days.

FAQ

How do I get an estimate?: Please email me a shot list or marked set of plans and I will provide an estimate of my time. Note: If I spend more or less time during the shoot, your invoice will be adjusted accordingly.
How do you bill for the built environment?: I bill for my time. The clock starts when I arrive on site and keeps going through setup, shooting and the clock stops when I have packed up.
Do you charge for a walkthrough?: Yes, I do charge for this time. I feel it's a great investment for all parties involved as it will enable us to avoid wasting valuable time and unforeseen issues during the shoot. If the project does not get photographed, you will be billed for my time.
What is your cancellation policy?: If a walkthrough, drive-by or any travel the day of the shoot takes place, you will be billed for my time.
What are the best practices for an Architectural Shoot?: Please refer to my architectural photography Best Practices PDF.

TESTIMONIALS

"Lines and Light Studio has provided us with exceptional service throughout the years and we especially appreciate the energy and passion given to each project."

Judith K. Zimmerman
President

"Kathy was very professional in all aspects of our dealings and her photography work speaks for itself."

Wesley Favor
President

"Kathy takes the time to evaluate each interior space individually and to understand the design’s impact on the photography. She has a wonderful eye and it certainly shows in her work."

Judy Henderson
Associate

"As an interior designer, I’ve worked with several photographers in the past — and Kathy rocks it! A true technical pro with a gift vision, sight, and accuracy!!!"

Adrian Galvan
Allied ASID
Owner & Principal Designer

"Having known Kathy for almost 20 years, I appreciate her attention and willingness to provide us with the highest quality of photography services she has to offer. I appreciate Kathy’s responsiveness and level of professionalism when it comes to photographing our projects."

Heath J. Wenrich
Principal

"Kathy is a true Professional - Her quality of work is amazing – using day and night lighting, and creative angles to wonderfully highlight our work."

Andy Drash
President

"Kathy’s wide-ranging experience with our multidisciplinary firm helped train her eye to appreciate the overall design of a project as well as the details which she captures extremely well in her photographs. She is a delight."

Kim Wolf
Principal

“As designers, we knew what made the project a winner. Kathy brought out new angles that we had not pictured. They make us look even better!”

Sarah O’Rourke
Project Manager